VivienM wrote on 2024-12-15, 17:54:
I don't think anybody viewed them as particularly pretty at the time. If anything, I would note that the world was starting to move away from desktop form factors towards minitowers, including in Apple land - look, for example, at how the Quadra 700 used the IIcx/IIci case but changed the labeling to emphasize vertical orientation.
Okay. It just came to mind because my own grandfather was an architect who was picky/excentric about certain things.
For example, he couldn't stand colour TV. Watching the news speaker in colour was indigniful. According to him, the news had to be in serious black/white.
That's why he had imported a high-end black/white TV from East Germany to W-Germany.
Because, GDR was the only remaing country left to produce large and pure B/W TV sets.
- It was also the last country with pure black/white transmitter stations.
They would be turned on each time a pure black/white TV programme was aired. For better picture quality, it says.
That's why I thought that other people from such fields might be similar minded.
That they do view their computers as their personal tools, in short, rather than some machinery.
Just like an artist who has a preferred brush or painter palette.
Or an architect, who has his/her favorite rapidograph.
Edit:
Then that was followed by the launch of the 800. And the minitower would remain the highest end option - Quadra 840av, PM 8100, the PCI minitowers, the beige G3 minitowers had mildly higher specs than the desktops, and then with the blue and white G3, the desktop case vanished entirely.
Indeed. The blue/white G3 was pretty - or rather, aestethically pleasing.
Not sure if that can be said about the Quadra 840av, though.
I looks a bit out of place, I think. Like an interference factor. The wavy chassis doesn't fit the rest.
By comparion, the Macintosh II and it's peripherals look like one set.
The keyboard, the monitor, the chassis. Everything matches nicely.
Like with an Amiga A1000 or Commodore 128D.
They're harmonic, in short. To designers or architects that might be of relevance.
They want to have their workplace the way they want it to, I can imagine.
PS: If I was in that situation in the 90s, I guess I might have opted for a DayStar/Umax Mac compatible.
A big tower model, installed on a separate table or under my desk.
Edit: Or an Atari ST (Mega ST 2 or 4) or an Atari TT030, maybe, since it quite was popular here in western Europe.
DTP software such as Calamus did exist already.
https://en.wikipedia.org/wiki/Calamus_(DTP)
I think minitowers won for two reasons, really:
1) More flexibility for internal expansion, particularly CD-ROM drives, etc.
2) As CRTs got bigger and heavier and more affordable well, you can't really put a 21" CRT on top of a lot of desktop cases.
It's logical for sure. And as a computer fan, I do like big towers for sure.
But if I was an artist.. Not sure if I wanted to have that monstrosity sitting on the desk, staring at me.
I probably would mount it under the desk or put it on ground, so it can't be seen and won't get in the way.
The other point I would make is that I don't think anybody in the 1990s had sentimental value for their old computers.
Certainly not if you were using them for work - you would just appreciate that, on the new one, a task that took an hour now only took 15 minutes.
But even home computers... in my experience at least, you just tended to keep a little 'too long' and by the time they finally got replaced, well, any positive feelings towards the old one were long gone.
Hm. I had a soft spot for both Windows 2.03 and Windows 3.1x in the 90s, when both of them were less than 10 years old.
I prefered both GUIs over then-new Windows 95, which had felt cold.
I also liked PC-DOS 3.30 for its simplicity and elegance.
That was in a time when these older OSes weren't retro yet.
But I was using them at home at the time, understandably.
Windows 95 was dominating PC landscape in a storm.
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In what to one race is no time at all, another race can rise and fall..." - The Minstrel
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